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Alexander Doll Company (Madame Alexander) 1920s – Present

Alexander Doll Company (Madame Alexander) 1920s – Present

Beatrice Alexander Behrman, or “Madame Alexander,” as she became known, grew up in the doll business. As the daughter of Maurice Alexander, a Russian immigrant who opened the first doll hospital in this country in 1895, she learned to appreciate the beauty of dolls from her early years. Her father’s teachings stayed with her into adulthood, and seeking a professional and artistic challenge, she founded the Alexander Doll Co., Inc., in the 1920’s. She went on to become the leading lady of the doll industry as she guided a company famous for the beauty and high quality of its dolls and their clothing.

Alexander’s cloth Oliver Twist doll is 16″ tall and was made in 1933-34.

Early Alexander dolls were cloth and composition. They had big hits in the 1930’s with their licensed Dionne Quintuplets and Sonja Henie composition dolls. During this period they also introduced characters from literature, including the Little Women series and McGuffey Ana. In the late ’40s, they turned to hard plastic and their Margaret and Maggie face dolls were the epitome of the well-dressed little girl.

From the very beginning, Madame Alexander focused on producing the highest quality, most beautiful doll clothing in the world. The same molds were used over and over again, with the costume and hairstyling creating the character of the doll.

Photos of Alexander-kin dolls courtesy of eBay seller your-favorite-doll.

The 8 inch Alexander-kins were introduced in 1953, and became the Alexander Doll Company’s most enduring product. Many were sold under the name Wendy or Wendy Ann. A year later a walking mechanism was introduced. From 1956 to 1965, the dolls were produced with jointed knees.

L to R: Cissy, Elise and Cissette dolls by Madame Alexander

Alexander initiated the modern era of the fashion doll with the introduction of Cissy in 1955. In the company’s catalog for that year, Madame describes her as “A Child’s Dream Come True.” Elise, a doll with jointed ankles to enable her to wear low or high heels, was introduced in 1957, and in 1959, 10 inch Cissette joined her “big sisters” as Alexander’s newest fashionable lady. All of these dolls had extensive lines of extra clothing and accessories which could be purchased.

In addition to the high-heeled dolls, Alexander produced some of their most enduring child dolls in the 1950s. Babies Kathy and Little Genius were produced in several sizes, and little girl Kelly was dressed in beautiful, classic styles. The Little Women dolls that had always been big sellers for Alexander got an update with the introduction of pre-teen Lissy.

Chatterbox (L) was a 24″ battery-operated talking toddler made in 1961 only. Bunny (R) was 18″ tall with an adorable expression. She was produced in 1962.

In the 1960s, Alexander introduced a number of new dolls with unique head molds, including Brenda Starr, a slim teen fashion doll to compete with Mattel’s Barbie, and Coco, a new 20 inch high fashion doll. While these dolls had a fairly short production run, the company also introduced some new faces which would become classics in their line. The 21 inch Jacqueline doll was one of these. Initially a representation of First Lady Jacqueline Kennedy, the mold was later used for the Portrait Series of lady dolls which were produced for decades. 14 inch Mary Ann and 12 inch Janie, both little girl dolls, became mainstays of the company’s line as well.

Also in the 1960s, the International Series using the 8” Alexander-kin molds were introduced. They became Alexander’s most popular line, and are still being produced today.

Tyrolean boy & girl (1966-72) from the International series.

The 1970s and ’80s saw Alexander staying the course, with few innovations, producing the beloved babies and children, characters from classic literature, and ladies in Portrait gowns that had always done well for them.

Beatrice Alexander sold the company in 1988, and passed away two years later.

In the 1990s, the company went through a challenging period. They were the last of the major doll manufacturers still located in the United States, and had difficulty competing for collectors’ dollars. In 1995 the company was sold to an international banking group and production began to be moved overseas.

In the 1990s and 2000s, many of Alexander’s classic dolls were reintroduced, some as reproductions of the original styles, and others with a new modern look.

Beatrice Alexander was inducted into the Toy Industry Hall of Fame in 2000.

The company has changed hands a few more times in recent years, and is currently owned by Kahn Lucas, a girls’ clothing manufacturer.

Today the Madame Alexander Doll Company specializes in baby dolls for children, including Huggums and Pussy Cat, first introduced in the 1960s, and a line of Lee Middleton babies; and collectible 8 inch and 10 inch dolls using the Alexander-kin and Cissette molds.

The World of Barbie Fashions by Mattel, Book 3

The World of Barbie Fashions by Mattel, Book 3

The World of Barbie Fashions by Mattel, Book 3 is dated 1966. It includes Color Magic and Twist ‘n Turn Barbie dolls; Casey; and Black and White Francie dolls. Several of Barbie’s 1600 series and 1400 series outfits are pictured, along with the 1700 series Color Magic outfits. Francie and Casey’s 1200 series outfits and Fashion Paks are illustrated. The back cover offers a subscription to Barbie magazine.

Catalog Illustrations for Mam’selle Outfits for Sindy, Paul and Patch (1966)

Catalog Illustrations for Mam’selle Outfits for Sindy, Paul and Patch (1966)

Mam’selle Gear Get-Ups were a separate line from Pedigree’s regular clothing for their Sindy, Paul and Patch fashion dolls. These six catalog pages from 1966 show illustrations of these hard to find outfits.

Sindy Outfits

Paul Outfits

Patch Outfits

Mam’selle Doll Accessory Boxed Sets (1966)

Mam’selle Doll Accessory Boxed Sets (1966)

The Pedigree Toy Box catalog for 1966 shows a page of boxed “jewellery and nic-nacs” sets (what in the US would be called accessories) for dolls.

The jewelry includes a brooch which appears to be a deer, two pairs of earrings (one balls and one possibly cat heads), a tiara and three pendants (a ball, a heart and an abstract shape).

In the 1960s most little girls were expected to become housewives and mothers when they grew up. These sets helped teach the skills they would need. The Housework Set includes a broom, bucket, dishpan and scrub brush, dust pan and brush, and an apron. The Washing Line Set includes a clothesline, clothespins and box of laundry soap. The Baby Doll Feeding Set has a bottle, brush, spoon, pacifier and bib.
Beauty was important, too. The Brush, Comb and Mirror Set helped keep dolly’s hair neat. The Toilet Set included toothpaste and toothbrush, Lux soap, wash cloth and an unidentified bar of something. (If you know what that is, please leave a comment.) The Accessory Set included a purse, belt, sunglasses, something with a floral pattern (scarf maybe?) and the same abstract pendant sold in the Pendants set. The Dolls Make Up Kit included a range of play cosmetics to try out on your doll. Hopefully no dolls were permanently scarred! It should be noted that this is the only set on the page that doesn’t have the Pedigree name on it – it was made by Leichner.